return
The junior curator trajectory 'De Vernieuwers' at Stichting IDFX allowed me to curate six project over the course of five months. IDFX primary focus is facilitating artist's
non-conventional and experimental urges through exhibitions, manifestations and events.
22.10.2022 - 23.10.2022
'Screening: selected videoworks by Paul Braspenning and Sid Dankers'
Participating artists: Paul Braspenning, Sid Dankers
Curator: Mike Anna
Graphic design provided by the artists
17.11.2022 - 27.11.2022
'Noch Drijven, Noch Zinken'
Participating artists: Lieve van den Bijgaart, Niels Kooiman
Curator: Mike Anna
Graphic Design: Mike Anna
03.12.2022 - 18.12.2022
'Leaving the Horde Behind'
Jonny Mehrez
Curator: Mike Anna
Graphic design provided by the artist
07.01.2023
Sabine de Graaf at BUT Film Festival Winter Edition
Sabine de Graaf
Curator: Mike Anna
Graphic design: Ramon de Gier
28.01.2023 - 05.02.2023
'Salon des Refusés'
Participating artists: Hussel Zhu, Yolanda Roosen, Ine van Son, Yelena Myshko, Ro-Nalt Schrauwen, Marlies Verda, Charlotte Bol, Jordy Koevoets, Nelleke Ponsteen, Karen van Dooren, Ruth de Vos, Ursa Prek, Wouter van der Giessen, Ramon de Gier, Rineke Engwerda, Anika Hochstenbach
Curator: Mike Anna
Graphic design: Ramon de Gier
11.02.2023 - 26.02.2023
'Vomit Church: a Ceiling Anomaly'
Participating artists: Jilles Feij, Laszlo Goudman
Curator: Mike Anna
Graphic design: Ramon de Gier, Mike Anna
Guest curator at Stichting IDFX (2022 - 2023)
noise performance Jonny Mehrez during the opening of 'Leaving the Horde Behind'
installation 'Roblox' by Sabine de Graaf during Winter BUT Film Festival 2023
puppet from the performance by Sid Dankers and Paul Braspenning in 't Vierkantje, the window exhibition space at IDFX
work by Lieve van den Bijgaart that was featured in 'Noch Drijven, Noch Zinken'
performance Lola Schot for the opening of her installation in 't Vierkantje, that opened simultaneously with 'Leaving the Horde Behind'
videoscreening Paul Braspenning and Sid Dankers
Projection by Laszlo Goudman for 'Vormit Church: a Ceiling Anomaly'